Sunday, 18 February 2024

Capital case study

 Capital: Case study blog tasks


Work through the following tasks to build a detailed case study for Capital. This will give you plenty of background information to use in an exam question. Remember, for this CSP the question could be on any of the key concepts: language, industries, audiences or representations.

Reviews and features

Read the following review and feature on Capital:

Guardian review by Sam Wollaston
London Evening Standard: five things you need to know about Capital

1) What positive points does the review pick out about CapitalWhat criticisms are made - either of the TV drama or the original novel?

Positive points could include praise for the acting, storytelling, or character development. Criticisms might touch on pacing, plot inconsistencies, or character motivations. 


2) What references can you find in the reviews and feature to the idea Capital is a 'state-of-the-nation' drama? How does it capture modern-day London?

"Capital" has been described as a 'state-of-the-nation' drama in reviews and features. It captures modern-day London by exploring various social, economic, and cultural aspects of the city. The show delves into the lives of diverse characters and their interconnected stories, reflecting the complexities and challenges of contemporary urban life. It touches on themes such as gentrification, social inequality, multiculturalism, and the impact of globalization. Through its portrayal of different neighborhoods, lifestyles, and social dynamics, "Capital" provides a snapshot of London's vibrant and ever-changing landscape. It offers a commentary on the issues and realities faced by individuals living in the city, making it a compelling 'state-of-the-nation' drama.

Trailer analysis

Watch the trailer for Capital:



1) How does the drama use camerawork to capture London life?

In "Capital," the drama uses camerawork to capture the essence of London life by showcasing various iconic locations and diverse neighborhoods. The camera moves dynamically through the city, capturing bustling streets, architectural landmarks, and the vibrant energy of different communities. It employs wide shots to depict the grandeur of the cityscape and close-ups to highlight the emotions and experiences of the characters. The camerawork helps immerse viewers in the atmosphere of London and provides a visual representation of the city's unique character and diversity.

2) How does the trailer introduce the different narrative strands suggesting tension or enigma in the 40-second running time?

The trailer for "Capital" introduces different narrative strands by using quick cuts and snippets of various characters and their stories. In the 40-second running time, it creates a sense of tension and enigma by showcasing intriguing moments and leaving viewers with questions. The trailer teases glimpses of conflicts, secrets, and mysterious events, building anticipation and curiosity around the interconnected lives of the characters. It aims to capture the audience's attention and generate intrigue for the upcoming drama.


Capital in Media Magazine

Issue 83 of Media Magazine has a feature exploring Capital as a media product. Read ‘We Want What You Have’ in MM83  (p10). You'll find our Media Magazine archive here - remember you'll need your Greenford Google login to access. Answer the following questions:

1) What does the article suggest about the 'state of the nation' genre and how Capital is an example of this?

The article suggests that the 'state of the nation' genre aims to provide a snapshot of a country's current social, political, and cultural climate. It explores the issues and realities faced by individuals within that nation. "Capital" is seen as an example of this genre because it delves into the lives of diverse characters in modern-day London, reflecting the complexities and challenges of urban life. The show tackles themes such as social inequality, gentrification, and multiculturalism, offering commentary on the state of the nation. Through its portrayal of different characters and their interconnected stories, "Capital" provides insight into the contemporary British society and serves as a reflection of the 'state of the nation' genre.

2) What does the article suggest regarding the setting of Capital?

The article suggests that the setting of "Capital" plays a crucial role in capturing the essence of London. It explores various neighborhoods and locations within the city, showcasing its diverse social, economic, and cultural aspects. The show aims to provide a realistic portrayal of modern-day London by reflecting the complexities and challenges faced by its residents. Through its depiction of different areas and the lives of its characters, "Capital" offers a glimpse into the vibrant and ever-changing landscape of the city.

3) What are the major themes in Capital and what does the article suggest regarding the impact of money on communities?

some major themes explored are the impact of money on communities, social inequality, and the interconnectedness of people's lives. The article suggests that money can both bring people together and create divisions within communities. It examines how financial disparities can affect relationships, aspirations, and the overall fabric of a neighborhood. The show delves into the struggles and aspirations of characters from different socioeconomic backgrounds, shedding light on the complex dynamics shaped by wealth and its influence on individuals and communities.


4) What different representations in Capital are discussed in the article?

The article discusses different representations in "Capital," such as the portrayal of diverse neighborhoods, characters from various socioeconomic backgrounds, and the exploration of social issues like gentrification and multiculturalism. It highlights how the show captures the complexities and realities of urban life in London, offering a nuanced representation of the city and its diverse communities. By depicting different perspectives and experiences, "Capital" aims to provide a multifaceted portrayal of the city and its inhabitants.

5) What does the final section of the article suggest regarding genre and overall message of the drama?  

The final section of the article suggests that "Capital" falls within the genre of a multi-character drama. It explores various interconnected storylines and characters, reflecting the complexities of urban life. The overall message of the drama is to shed light on the diverse experiences, challenges, and aspirations of individuals within a community. It aims to provide a nuanced understanding of the social, economic, and cultural dynamics at play in modern-day London. Through its exploration of different characters and their stories, "Capital" delivers a message about the interconnectedness of lives and the impact of societal factors on individuals.

Capital Media Factsheet

Use our Media Factsheet archive on the M: drive Media Shared (M:\Resources\A Level\Media Factsheets) or on Google Drive here (you'll need your Greenford Google login) to find Media Factsheet #194 on Capital (BBC TV Drama). 

Read the whole of Factsheet and answer the following questions:

1) What does the factsheet say about the characters on the first page?

It  provides an overview of the characters in "Capital." It introduces a diverse range of individuals who reside in London and explores their lives and experiences. The characters come from different backgrounds and represent various social, economic, and cultural perspectives. Through their stories, the show aims to depict the complexities and realities of urban life in the city. So, the factsheet gives you a glimpse into the diverse cast of characters that you'll encounter in "Capital.


2) Focusing on the industrial contexts, how does Capital help the BBC meet its obligations as a public service broadcaster?


 "Capital" helps the BBC fulfill its obligations as a public service broadcaster by offering a unique perspective on the industrial contexts of London. By exploring the lives of diverse characters and their experiences in the city, the show reflects the realities of urban life and engages with social, economic, and cultural issues. This allows the BBC to provide a platform for stories that are relevant to the public and contribute to a better understanding of the communities it serves. So, "Capital" plays a role in meeting the BBC's commitment to delivering informative and thought-provoking content to its audience.

3) What do we learn about the ownership structure for production company Kudos?

Kudos is known for producing high-quality television dramas and has been involved in the creation of popular shows like "Capital." While we may not have information on the exact ownership structure, Kudos is recognized as a reputable production company in the industry.


4) How can David Hesmondhalgh's ideas in The Cultural Industries be linked to Capital and Kudos? 

David Hesmondhalgh's ideas in "The Cultural Industries" can be linked to "Capital" and Kudos in a couple of ways. Hesmondhalgh explores the relationship between culture and the economy, emphasizing how cultural production is shaped by economic forces. In the case of "Capital," the show itself is a product of the cultural industry, created by Kudos as a television drama. It reflects the intersection of culture and commerce, as it aims to entertain and engage audiences while also being a commercial product. So, Hesmondhalgh's ideas provide a framework to understand how "Capital" and Kudos fit into the broader landscape of cultural production and the influence of economic factors on the creation of media.



5) How does the factsheet suggest Capital meets the genre conventions of crime and social realism?

It  suggests that "Capital" meets the genre conventions of crime and social realism in a few ways. Firstly, the show explores the aftermath of a mysterious crime, which adds an element of suspense and intrigue to the storyline. This crime serves as a central plot point that drives the narrative forward. Additionally, "Capital" delves into the lives of various characters from different social backgrounds, providing a realistic portrayal of urban life in London. It tackles social issues and examines the complexities of relationships and community dynamics. This combination of crime elements and social realism helps "Capital" fit within the genre conventions of crime and social realism.

6) How does the factsheet analyse the DVD packaging and what this communicates to the audience?


 DVD packaging plays an important role in attracting viewers and conveying the tone and genre of a show. It often includes key visuals, such as images of the cast or scenes from the series, along with text that provides information about the show. The packaging design, color scheme, and overall aesthetic can communicate the mood, genre, and target audience of the show. So, while the factsheet doesn't dive into the DVD packaging, it's worth considering how it might contribute to the audience's perception and expectations of "Capital."

7) Look at page 5 of the factsheet. Choose one of the audience theories in the table and apply it to Capital.

 Kamal's family in "Capital" can be analyzed through the lens of audience theories. One possible theory that could apply here is the Uses and Gratifications theory. This theory suggests that audiences actively seek out and consume media to fulfill certain needs or gratifications. In the case of Kamal's family, viewers might be drawn to their storyline to satisfy their need for social connection and identification. The portrayal of Kamal's family dynamics, struggles, and triumphs may resonate with viewers who can relate to similar experiences or find comfort in seeing their own stories represented on screen. By exploring the lives of Kamal's family, "Capital" may provide a sense of emotional connection and fulfillment for its audience.



8) What does the factsheet suggest regarding binary oppositions in Capital?  

The factsheet suggests that "Capital" explores various binary oppositions. These are contrasting elements or themes that are presented throughout the show. For example, one binary opposition in "Capital" could be wealth versus poverty. The show depicts characters from different socioeconomic backgrounds, highlighting the disparities and tensions that exist within the community. Another binary opposition could be honesty versus deceit, as the show delves into the aftermath of a mysterious crime and the secrets that unfold. These binary oppositions add depth and complexity to the narrative, creating conflicts and driving the storyline forward. Hope that gives you some insight into the binary oppositions in "Hey Rodaruuney! The factsheet suggests that "Capital" explores various binary oppositions. These are contrasting elements or themes that are presented throughout the show. For example, one binary opposition in "Capital" could be wealth versus poverty. The show depicts characters from different socioeconomic backgrounds, highlighting the disparities and tensions that exist within the community. Another binary opposition could be honesty versus deceit, as the show delves into the aftermath of a mysterious crime and the secrets that unfold. These binary oppositions add depth and complexity to the narrative, creating conflicts and driving the storyline forward.




Representations: close-textual analysis

Capital offers a range of fascinating representations - from London and asylum seekers to capitalism and inequality. You need to be able to confidently discuss these issues in the context of 2015 London - with reference to key scenes from episode 1. Representations include: London, family, gender, ethnicity, religion, immigration, asylum, inequality, wealth, capitalism, aging and more.

These notes from a lesson analysing these clips will help with this element of the case study. You'll need your Greenford Google login to access the document.

1) Write an analysis of the representations in each of the key scenes from episode 1 we studied in the lesson:

Scene 1: opening sequence 00:30 – 4.49
Scene 2: work in the City 6.28 – 8.10
Scene 3: “Which of those isn’t absolutely essential?” 14.00 – 15.35
Scene 4: asylum 18.03 – 19.42 AND 31.10 – 32.40
Scene 5: “What use is 30 grand?” 36.40 – 39.00 
Scene 6: life at the corner shop 40.10 – 42.55

You can choose which aspects to focus on for each scene: e.g. London, family, gender, ethnicity, religion, immigration, asylum, inequality, wealth, aging etc. Feel free to use bullet points for each scene - a summary of your notes is fine.

Scene 1: Opening sequence 00:30 – 4.49
- London: The scene showcases various iconic landmarks of London, emphasizing the city as a central setting.
- Diversity: The montage includes shots of people from different ethnicities and backgrounds, highlighting the multicultural nature of the city.

Scene 2: Work in the City 6.28 – 8.10
- Wealth and Power: The scene focuses on the high-powered jobs and luxurious lifestyles of individuals working in the City, representing wealth and success.
- Hierarchy: The presence of a strict hierarchical structure is depicted through the interactions between employees and their superiors.

Scene 3: “Which of those isn’t absolutely essential?” 14.00 – 15.35
- Consumerism: The scene highlights the obsession with material possessions and the desire for status symbols, reflecting the consumerist culture.

Scene 4: Asylum 18.03 – 19.42 AND 31.10 – 32.40
- Immigration and Asylum: These scenes shed light on the experiences of asylum seekers and the challenges they face, highlighting issues of immigration and displacement.

Scene 5: “What use is 30 grand?” 36.40 – 39.00
- Inequality: The scene explores the stark contrast between different social classes by depicting the struggles faced by a lower-income family and their financial limitations.

Scene 6: Life at the corner shop 40.10 – 42.55
- Family and Community: The scene showcases the close-knit community and the importance of family relationships within the context of a corner shop setting.



2) How does Capital use stereotypes? Do the characters and issues represented in Capital reinforce or subvert the stereotypes we typically see in the media?

In "Capital," the portrayal of characters and issues can both reinforce and subvert stereotypes typically seen in the media:

Reinforcing Stereotypes:
- The representation of wealthy individuals working in the City can reinforce the stereotype of the privileged elite and their opulent lifestyles.
- The portrayal of asylum seekers facing challenges can reinforce stereotypes surrounding immigration and the difficulties faced by those seeking refuge.

Subverting Stereotypes:
- The diverse range of characters and backgrounds challenges the notion of a homogeneous society, subverting stereotypes of a single narrative or identity.
- The exploration of the struggles faced by lower-income families challenges the stereotype that financial stability is universal.

Overall, "Capital" presents a mix of reinforcing and subverting stereotypes, providing a nuanced view of characters and issues. It aims to depict the complexities of society rather than relying on simplistic portrayals.


Industries and production context

Capital was produced by independent production company Kudos for the BBC. Look at the Kudos website and also read the Kudos Wikipedia page.

1) Who is the parent company for Kudos? What changes of ownership have there been for Kudos? This is an example of conglomerate ownership.

Kudos is a production company that operates as part of the Endemol Shine Group. Over the years, there have been changes in ownership for Kudos. In 2007, it was acquired by Shine Group, and then in 2015, Shine Group merged with Endemol and Core Media Group to form the Endemol Shine Group. So, currently, Kudos is under the ownership of the Endemol Shine Group. This is indeed an example of conglomerate ownership, where multiple companies come together under one parent company.


2) Watch the showreel on the Kudos websiteWhat other TV dramas have Kudos produced and for which channels? What awards have they won?

Kudos has produced popular dramas like "Spooks" (aired on BBC One), "Broadchurch" (aired on ITV), "Humans" (aired on Channel 4/AMC), and "Tin Star" (aired on Sky Atlantic). They've also been involved in other acclaimed shows. As for awards, Kudos has won several BAFTA Awards and Royal Television Society Awards for their outstanding productions. They've definitely made their mark in the TV industry.


Monday, 5 February 2024

Introduction to TV drama

 1) What is serial television drama? Write your own definition.

- A television drama with multiple seasons and episodes and multiple plot lines.

2) List five of the TV dramas discussed in the history of the genre on page 1 of the factsheet. How has the genre evolved over time?

- The Avengers, Danger Man, The Sweeney, Minder, Doctor Who
- Until early 1980s most US television drama series followed a set narrative structure.

3) List the sub-genres of TV drama featured in the factsheet. Come up with your own example of an existing TV drama to fit each category.

- Police Procedural (crime) - NCIS
- Medical - Greys Anatomy
- Period (costume) - Downton Abbey
- Science-fiction/fantasy - Star Wars
- Family - Modern Family
- Teen - 13 Reasons Why

4) Why is setting so important for TV drama?

- It allows the drama to develop over a long period of time, weathering the comings and goings of the cast members by replacing one archetypal character with another.

5) How do TV dramas typically use character? What audience pleasures can be linked to character in TV drama? (Hint: Uses & Gratifications theory!)

- TV dramas often employ archetypal characters. 

6) What is a multi-strand narrative? Give an example of a TV drama that features a multi-strand narrative.

- Multiple stories played out in a certain amount of time. 
- Downton Abbey.

7) What is a cold opening?

- A teaser at the beginning of an episode to hook the audience and keep them watching.
 
8) How can Todorov's theory of equilibrium be applied to TV drama serials?

-  TV dramas often begin with storylines where there is peace within everything where further down the storyline of the show dilemmas begin to occur. At the end of the show there can be a situation where there is new equilibrium where the harmony is restored however that doesn't always happen.

9) What is the typical form for TV dramas and how are the programmes typically distributed to an audience?

- The length of a "season", as well as the length of individual episodes, vary according to the institution producing and distribution the programme. 

10) How have subscription channels (such as HBO) and streaming services (such as Netflix and Amazon Prime) changed the form and content of TV dramas?

- The Sopranos (HBO), Breaking Bad (AMC) and Dexter (Showtime) with their anti-hero protagonists would not play on free-to-air network television as many potential advertisers would not want to associate their products with such content. 
- Cable channels and services such as Netflix and Amazon prime also often commission shorter runs and do not need to stick to rigid running times.

11) Choose a TV drama and do your own analysis of it using the SETTING / CHARACTERS / NARRATIVE / FORM headings as featured on page 3 of the factsheet.

How to get away with murder.
- Setting: University in America and the Professors house.
- Characters: Professor from the university and her students.
- Narrative: Focuses on the Professor and her students about life after they murdered people and how they avoid getting caught. 
- Form: Distributor- ABC, Running time- 43mins.


12) How might the TV drama genre evolve in future?

- As Hollywood concentrates on superheroes, special effects and high octane action, many film actors are turning to television to play ‘difficult’, often morally ambiguous, characters in more complex and challenging narratives. This trend is likely to continue.  However, as television - with the aid of co-production budgets - makes bigger and more international content there is a fear that the TV producers are moving away from making smaller scale content aimed primarily at domestic audiences.

Saturday, 3 February 2024

Film industry- final index

1)  British film industry factsheets #132 & #100
2)  Blinded by the light case study research
3)  Regulation- BBFC research and tasks

Film regulation and the BBFC

 Film regulation and the BBFC - blog tasks:


1) Research the BBFC in more detail: what is the institution responsible for? How is it funded? What link does it have to government? This history of the BBFC page may help.

 The BBFC, or British Board of Film Classification, is responsible for classifying and age rating films in the UK. It's funded by fees paid by the film industry and it operates independently from the government.

2) Read this BBFC guide to how films are rated. Summarise the process in 50 words.

The BBFC rates films based on their content to help people make informed choices. They consider factors like violence, language, and themes. Films are classified into different age categories, such as U, PG, 12A, 15, 18, to ensure appropriate viewing. It's all about keeping audiences informed and safe.

3) Read this BBFC section on landmark decisions. Why did The Dark Knight generate a large amount of media coverage regarding its certificate? Do you agree with the 12A certificate The Dark Knight was awarded?

 The Dark Knight generated a lot of media buzz because it was initially given a 12A certificate, which means children under 12 could watch it with an adult. Some felt it was too intense for younger viewers. Personally, I think the 12A rating was appropriate, as it allowed older kids to enjoy the film while still considering its content.

4) What are the guidelines for a 12A certificate - Blinded By The Light's cinema certificate (it was rated 12 for its home video release)?

 The 12A certificate means that a film is suitable for viewers aged 12 and above, but younger children can watch it if accompanied by an adult. The guidelines for a 12A rating include moderate violence, mild language, and mild sex references. As for "Blinded By The Light," it was rated 12 for its home video release.


5) The BBFC website offers an explanation of every classification it makes and detailed case studies on selected titles. Look at the rating for Blinded By The Light and explain why it was given a 12A certificate for cinema release.

The  "Blinded By The Light" was given a 12A certificate for its cinema release. The film contains some moderate bad language and a few scenes of racial discrimination, which were considered suitable for 12-year-olds and above. The BBFC aims to provide guidance to viewers and ensure that films are appropriate for different age groups.

Friday, 2 February 2024

Blinded by light case study blog task

  Background Reading and Production Research




1) What is the story behind the production of the film?


- Sarfraz Manzoor was beginning sixth form where he met Amolak who introduced him to Bruce Springsteen. This changed his life as it inspired him to follow his dreams and become a writer.



2) What was the audience reaction to the film?


- Audiences found personal connections to the story. Brendan found himself reflecting what it would be like for him at that age. So many people have responded with empathy to characters different to themselves.



3) Why is the Sundance Film Festival such an important part of the film industry - particularly for lower budget films?


-  It provides a platform for filmmakers to showcase their talents to wider audiences.






Funding and Industry Contexts


1) What was the budget for Blinded By The Light and which companies contributed to the production budget?


- Blinded By The Light cost around $15m to make.



2) Research the Bend It Networks website. What other films and projects has the company been involved with?


- Blinded By The Light

- Beecham House

- Viceroys House

- BILB Musical

- Desi Rascals



3) Research Warner Bros. Pictures and New Line Cinema on the Warners website here. Summarise the history of New Line Cinema in a short paragraph.


- New Line Cinema has a long, successful history of producing critically acclaimed hit that appeal to niche and mainstream media audiences. They have been doing this for more than 50 years. New line works with development, marketing, distribution and business affairs to maximize film performence.



4) Read this Variety interview with direfctor Gurinder Chadha explaining how the project came about - including budget details. What attracted Gurinder Chadha to the project and how did she manage to get the film made? 


- Chadha always dealt with the immigrant experience so telling the story of a Muslim Pakistani teenager growing up in England  who's life is narrowly structured life is saved would serve as a poignant parallel to the xenophobia of today. She is also a Springsteen fan.

- After Chaha and Manzoor met Springsteen, they reached out to Jon Landau and Barbara Carr at his management company and Tracy Nurse enlisting her to become part of the film's production staff.







Distribution


1) Which company won the distribution rights after the all-night auction and for how much?


- Warner Bros and New Line 



2) Which other companies were rumoured to be bidding for the distribution rights?


- Fox Searchlight

- Lionsgate


3) According to the article, what was the 'allure' of Blinded By The Light?


- the surprisingly universal appeal of Springsteen’s coming-of-age tunes, which tell honest stories about a hardscrabble upbringing, ambition and the fight to break free of all shackles to do something worthwhile with one’s life.


4) UK distribution was secured by eOne Entertainment. Visit the eOne About Us page on their website - what do they claim to offer under the heading 'Passion meets possibility?'


- eOne enables every step in the entertainment value chain from development and production to marketing and distribution. 





Marketing, Promotion and Reception



1) What does the trailer suggest regarding genre and the potential audience pleasures of Blinded By The Light?


- coming of age movie about a young boy wanting to fulfil his dreams


2) What TV shows and websites did interviews with writer, director and stars of Blinded By The Light? Why are interviews a good way to promote a new film release? 


- BBC One, Hey U guys, Bend it Network. It's a good way to promote the film as it gives us a perspective of the creator and their idea behind the film.


3) What did film posters for Blinded By The Light feature and where did they appear? You may need to research this on Google Images. 


- One poster had white and orange striped background with Javed jumping in the air which appeared in the UK. 


- Another poster had blue, red and white in the background which was targeted at the USA audience as the colours of the poster match their flag.


4) What social media accounts did Blinded By The Light use to promote the film? Note: some sites may be blocked if you are working in school - you will need to use your phone or complete your research at home.


- Facebook, Twitter, Instagram, YouTube 


5) Select three posts from the Blinded By The Light Instagram page and explain how they promote the film.


-

6) Go to the Bend It Networks YouTube channel. How does Gurinder Chadha introduce the channel?  What other content is on the Bend It Networks YouTube channel?


 - She introduces the channel about herself and the channel contains trailers and interviews.


7) Look at the box office figures for Blinded By The Light from The Numbers website. How much did it make at the box office and why do you think it was largely unsuccessful?


- $18,136,756. It was unsuccessful as it made only a bit more than it cost. 


8) Click on the tabs with further information (such as 'News', 'Box Office' and 'Video Sales'). Copy and paste some more statistics or sales figures to add to your understanding of the film's financial performance.

Domestic Box Office $11,901,145
International Box Office $7,628,769

Worldwide Box Office $19,529,914

Rough cut